books by Duane Michals
 
 



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Blind Spot #3
Baldessari John, Boltanski Christian, ...

Blind Spot, Inc., 1994

First edition, first printing. Soft cover. Photographically illustrated stiff wrappers (published only in wraps). Foreword and edited by Kim Zorn Caputo. Includes photographic works by John Baldessari, Zeke Berman, Christian Boltanski, Peter Campus, Patrick Faigenbaum, Lee Friedlander, David Levinthal, Sally Mann, Duane Michals and Ruth Thorne-Thomsen, text by Vik Muniz, and a conversation between John Baldessari and Christian Boltanski. ...
  
  











  



  
The House I Once Called Home
Duane Michals

Enitharmon Press, 2004

Duane Michals was seventy when he conceived the extended sequence of photographs and poetic texts that constitute The House I Once Called Home. A few years after the death of his aged mother, he returned to his native Pittsburgh to revisit the house in which he was born and brought up. Its deteriorated state proved a poignant focus for his memories, prompting reveries on mortality and the succession of generations that found form both ...
  
  











  



  
The Adventures of Constantine Cavafy1 review
Duane Michals

Twin Palms Publishers, 2007

Longing for beauty
This evocative book of photographs and text conveys the longing, beauty, and wistfulness of Cavafy's poetry. As such, Michal's work not only illustrates some of Cavafy's most celebrated verse, it represents a great artist's sympathetic response to the work of another.
  
  











  



  
An Exhibition of New Ideas in Photography Painting and Photograph/Drawing
Duane Michals

Sidney Janis Gallery, 1980

Thin exhibition catalogue, listing 60 works, 10 of which are shown.
  
  











  



  
Eros and Thanatos: Regular Ed2 reviews
Duane Michals

Twin Palms Publishers, 1993

The Sorcerer Comes of Age
I believe this is the fourth volume of Duane Michael's work to be published by Twin Palms. This relationship has provided Michaels with a well-deserved vehicle for his creativity. If Alan Ginsberg is the quintessential gay poet, drawing on his sexuality when needed, but never letting his work be overwhelmed by it. Then Michaels holds the same position in the world of light. "Eros & Thanatos" ...
  
  











  



  
Blind Spot Photography Issue Three (Blind Spot, 3), 1994

Soft cover. Edited by Kim Zorn Caputo. Includes photographic works by John Baldessari, Zeke Berman, Christian Boltanski, Peter Campus, Patrick Faigenbaum, Lee Friedlander, David Levinthal, Sally Mann, Duane Michals and Ruth Thorne-Thomsen, text by Vik Muniz, and a conversation between John Baldessari and Christian Boltanski. Numerous four-color and black and white reproductions. 9 x 10.5 inches.
  
  











  



  
Album: The Portraits of Duane Michals 1958-19881 review
Duane Michals

Twelvetrees, 1988

Wonderful oversize "portfolio" of some of his best images...
This portfolio size volume (preferably in hard cover) is a delightful companion to "The Essential Duane Michals" by Marco Livingstone. Duane has always been and shall always be an inspiration to me as a photographer for his innovative use of natural light, his witty sendups of so many things sexual (homo and non-homo)are always such FUN!! He writes, photographs, and says things that most ...
  
  











  



  
Pictures I Had to Take1 review
Joel Grey

powerHouse Books, 2003

Pictures I Had to Take
I loved looking at the pictures in this book. It has helped me to look at things in a different light. There are so many little details that are picture worthy that we miss because we are not breaking down what we are seeing. I plan on using this book to inspire my picture taking skills and to actually take out the camera and start shooting.
  
  











  



  
Duane Michals: Photographies de 1958 a 1982
Duane Michals

Mois De La Photo, 1982

English and French Text
  
  











  



  
Questions Without Answers3 reviews
Duane Michals

Twin Palms Publishers, 2001

But the Answers are in the Photographs
Duane Michals is a humanist of the first order. His concerns are not unlike those of Walt Whitman, who seems to have played a major role in Michals' development as an artist and thinker. The format of this book is elegant, simple, and touching. It will come as no surprise that his 'Questions' for which he poses no answers are those same questions we all ponder, alone, in the still of darkness, ...
  
  











  








   



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