books by Frank Wedekind
 
 



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Erdegeist - Die Buchse der Pandora (Lulu,, die Hauptfigur dieser beiden Dramen, gehort der Weltliteratur an.) ...
Frank Wedekind

Wilhelm Goldmann Verlag, 1961

German text, paperbook.
  
  











  



  
Spring Awakening: A Play1 review
Frank Wedekind

Faber & Faber, 2007

great play -- feels very contemporary!
I heard Franzen speak about how unfaithful the recent NY production was to Wedekind's anarchistic perspective. This is a brash and funny send up of modern society's sexual hypocrisy. Fast read, too.
  
  











  



  
Resurrection - Cahiers Mensuels Litteraires Illustres - Collection complete 1917-1918
Clement Pansaers, Michel de Ghelderode, ...

1973 jacques antoine Collection complete (1917-1918), 1973

1973 jacques antoine Collection complete (1917-1918), Hardback, collection of facsimiles from rare belgian art lit mag RESURRECTION
  
  











  



  
Spring's Awakening12 reviews
Frank Wedekind

Smith & Kraus Pub Inc, 2006

In light of this play, society hasn't changed much today
I assigned this play to my drama class this fall. At first reading, I witnessed my students' eyes light up and watched them get involved in serious introspection and discussion for the first time. They were inspired. One ignorant parent contacted school administration, and the play was officially banned from our school and the classroom. What a shame. Sad to say...the narrowmindedness of parents ...
  
  











  



  
Spring Awakening (Methuen's Theatre Classics)3 reviews
Frank Wedekind

A&C Black, 2003

Brilliant Play by a brilliant Writer
as an actor I have just performed this play I was Mechior one of the lead roles this book has a mixture of teenage experiences, a must read for all directors and actors if you ever get a chance to perform it then make sure you do
  
  











  



  
Frank Wedekind: Four Major Plays (Great Translations for Actors Series.)
Frank Wedekind

Smith & Kraus, 2000

Frank Wedekind (1864-1918) is rightly called the prophet of sexuality in modern drama. He himself wandered the world in the company of adventurers, libertines, "perverts," and underground figures, seeking to "know love in all its manifestations." Society's antagonism toward the power of sex is the motivating force in the entire body of his work. And yet Wedekind was a moralist in the strictest sense: sex, he seems to say, is its own enemy. His ...
  
  











  



  
Wedekind Four Plays: Volume II
Frank Wedekind

Smith & Kraus Pub Inc, 2002

Frank Wedekind (1864-1918) is one of the undisputed forerunners of the modern stage. An arch radical, he has been described as a master of the shock tactic and the terror of the German bourgeoisie, a lunatic and a criminal who wrote plays of such filth that they are best performed in the gutter. Others invoke him as God's fool, and yet one thing is certain: He stirs the emotions, pro and con, as deeply as it is possible to imagine. He is ...
  
  











  



  
Frühlings Erwachen. Lektüreschlüssel
Frank Wedekind

Reclam Philipp Jun., 2001
  
  











  



  
Lulu (Nick Hern Books Drama Classics)
Frank Wedekind

Nick Hern Books, 2001

Lulu is a walking, talking object of sexual desire. Each of the first four acts of the play sees her married to a different man, each of whom dies at the end. In the fifth act, Lulu has become a prostitute in late-Victorian London where she encounters Jack the Ripper, who she deliberately leads on. This is Nicholas Wright's new version of Wedekind's early 20th century erotic drama.
  
  











  



  
Wedekind Plays: One
Frank Wedekind

Methuen Publishing, Ltd., 2000

A moralist who wore the mask of an immoralist, Wedekind was the terror of the German bourgeoisie.
  
  











  



  
The First Lulu: by Frank Wedekind * English Version of the Play by Eric Bentley
Frank Wedekind

Applause Books, 2000

"The complete script to Frank Wedekind's symphony - or rather a cacophony - of deotic sexual rhetorics. Eric Bentley's achievement here as translator is a beautifully playable and juicy English; his larger gift is the opening to us of what must be ranked as among the supreme masterpieces of nineteenth-century theater." - Donald Lyons, The New Criterion
  
  











  








   



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