books by Kathy Halbreich
 
 



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2000 Bc: The Bruce Conner Story Part Ii3 reviews

Walker Art Center, 1999

A Review: One man show and tell
This beautiful publication makes you feel fortunate to live in an era when hardbound books filled with juicy pictures printed on quality paper stock are still here for the wonder of our minds and hands. For some reason the multifaceted brilliant artist Bruce Conner is not very well known outside rarefied circles of experimental film-o-philes or assemblage art fans, and this book should go a ...
  
  











  



  
Joseph Beuys: The Multiples1 review
Peter Nisbet, Dierk Stemmler, ...

Edition Schellmann, 2006

magical
simply must have ,lots of work I have never seen before in his books out of 5 I have my libling is most definite this one
  
  











  



  
Bruce Nauman1 review
Bruce Nauman, Kathy Halbreich, ...

Distributed Art Pub Inc (Dap), 1994

I expected prictures, instead the book is 99% interviews
Bruce Nauman is the most amazing artist I have ever seen. I was not much into moder art, until I saw Clown Torture and From Hand to Mouth at the Tate Modern in London. Since then I am a looking for his work whetherever I can find it. I felt a bit let down by this book because I expected reproductions of his work instead it is almost exclusively made up by interviews with him or short articles ...
  
  











  



  
Bruce Nauman: Exhibition Catalogue and Catalogue Raisonne
Neal Benezra, Kathy Halbreich, ...

Distributed Art Pub Inc (Dap), 1994

Bruce Nauman's art has ranged across a variety of media that includes drawings, sculpture, performance, photography, neon, film, video, holograms, texts, and large-scale mixed media installations. This book features a comprehensive catalogue raisonne with illustrated entries for more than five hundred works, including films, videos, performances, and photographic pieces.
  
  











  



  
Frida Kahlo7 reviews
Hayden Herrera, Victor Zamudio-Taylor, ...

Walker Art Center, 2007

Amazing essays on an amazing artist
To say that this is a major catalogue from a major exhibit is to ignore the more important point...this is a collection of brilliant essays on Kahlo and stunning photographs of her painting and related works and people in the Kahlo circle, but also Mexican folk art, history and the modernist movement in Mexico. He is also a thrilling writer and critic on the use of allegory and on Kahlo and ...
  
  











  



  
Chuck Close: Self-Portraits 1967-20051 review
Douglas Nickel, Neal Benezra, ...

Walker Art Center/San Francisco Museum of Modern Art, 2005

An Artist's Progress: Perception and Representation
Chuck Close is an artist's artist. During his long career he has created different ways for us to view reality, breaking up images into 'pixels' and then reconstructing those units to enhance the original image. Close works from a wheel chair and yet from that vantage he has created monumental works on paper and canvas that defy imagination. In this fine book, a catalogue accompanying an ...
  
  











  



  
Cameron Jamie
Philippe Vergne, Cameron Jamie

Walker Art Center, 2007

Cameron Jamie's work--a blend of video, sound, performance, photography and drawing--confronts the dysfunction of European and American society. His critical gaze often focuses on ritualistic practices in popular culture, such as hot dog eating contests and backyard wrestling. Taking suburban phenomena of this sort as his primary material, Jamie explores the dark underbelly of the American dream in drawings, film and performance. This ...
  
  











  



  
How Latitudes Become Forms: Art in the Global Age
Philippe Vergne, Kathy Halbreich, ...

Walker Art Center, 2003

The rise of globalism has created tremendous challenges to old economic, political, and cultural paradigms, changes that are increasingly reflected in diverse artistic practices across the planet. If disciplinary boundaries are now crossed as easily as geographic ones, how does the new internationalism that we are facing affect aesthetics and artistic production? Is there a link, for example, between the rise of video works and the global ...
  
  











  



  
Curating Now: Imaginative Practice/Public Responsibility
Kathy Halbreich, Dave Hickey

Philadelphia Exhibitions Initiative, 2002

In a time which one critic characterized recently as "the era of the curator," it is not only relevant but absolutely necessary to thoroughly question the current state of curatorial practice, its professional values, and the assumptions implicit in them. "Curating Now" gathers together the thoughts of a diverse group of internationally recognized, influential curators, comments presented for the benefit and examination of their peers at a ...
  
  











  



  
House of Oracles: A Huang Yong Ping Retrospective
Hou Hanru, Huang Yong Ping

Walker Art Center, 2005

Description: This first monograph to look back over Huang Yong Ping's work to date finally brings the full range of his accomplishments to an international audience. As a contemporary artist in China working with diverse traditions and new and ancient media, Huang has built an artistic universe comprised of provocative installations that challenge the viewer to reconsider everything from the idea of art to national identity to recent history. He ...
  
  











  



  
Heart of Darkness
Kai Althoff, Ellen Gallagher, ...

Walker Art Center, 2006

Heart of Darkness centers on three large-scale installations by artists Kai Althoff, Ellen Gallagher and Thomas Hirschhorn. Working with fairy tales, science fiction and sensational imagery, these artists invite us to enter an uncanny world of their own creation, where darkness is not just a representation of chaos, madness and dystopia, but an artistic strategy in the search for clarity and empathy within the insurmountable nihilism of the ...
  
  











  



  
Expanding the Center: Walker Art Center and Herzog & de Meuron
Steve Dietz, Robin Dowden, ...

Walker Art Center, 2006

"The Walker Art Center recently opened its expanded space, which includes a new theater, a new restaurant, and more galleries, but is best known for being Herzog & de Meuron's first public building in the United States. The project drew national coverage from media including The New York Times. Expanding the Center caters to and piques public interest in the building with a generous selection of images, including sketches, renderings, and ...
  
  











  








   



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