books by Mark Cheetham
books:
Editing the Image: Strategies in the Production and Reception of the Visual (Conference on Editorial Problems)
University of Toronto Press
, 2008
The editing process is a vital part of virtually every form of media. Primarily associated with texts and written language, editing is equally essential, if less examined, in regard to visual media. Editing the Image looks at the editing of visual media as both a series of technical exercises and as an allegory. It touches on concerns that are crucial to the history of art and visual culture, as well as those media and institutions that ...
Shape Of Color: Excursions In Color Field Art, 1950-2005, The
Christian Eckart
, Mark Cheetham, ...
Art Gallery of Ontario
, 2005
Color field art covers more acreage than you might expect. In this major reappraisal cataloguing an exhibition at the Art Gallery of Ontario in Toronto, the definition is extended to include both contemporaneous works in media other than painting and recent iterations by younger artists. Thus, artists more often deemed Minimalist, such as Dan Flavin, Sol LeWitt, Fred Sandback, and Robert Irwin, are seen as responding to ambitions expressed in ...
Kant, Art, and Art History: Moments of Discipline
Mark A. Cheetham
Cambridge University Press
, 2001
Kant, Art, and Art History: Moments of Discipline is the first systematic study of Kant's reception and influence on the visual arts and art history. Arguing against Kant's transcendental approach to aesthetic judgment, Cheetham examines five "moments" of his influence. The final chapter focuses on Kant's "image," both in contemporary and posthumous portraits, with respect to his status as the image of philosophy within a disciplinary ...
The Rhetoric of Purity: Essentialist Theory and the Advent of Abstract Painting (Cambridge Studies in New Art ...
Mark A. Cheetham
Cambridge University Press
, 1994
In The Rhetoric of Purity, Mark Cheetham examines the resurgence of Neo-Platonist philosophy in France during the late nineteenth century and its critical role in the formation of the first wave of abstract painting at that time. Through analysis of the writings and art of Gauguin, Serusier, Mondrian, and Kandinsky, among others, he concludes that for these artists, purity was nothing less than the quality that painting must possess. Cheetham ...
Abstract Art Against Autonomy: Infection, Resistance, and Cure since the 60s
Mark A. Cheetham
Cambridge University Press
, 2006
In Abstract Art Against Autonomy, Mark Cheetham provides a revolutionary account of abstraction in the visual arts since the decline of the formalist paradigms in the 1960s. He claims that abstract work remains a vital contributor to contemporary visual culture, but that it performs in a way that is different from its predecessors of the early and mid-twentieth century and cannot adequately be assessed without new models of understanding. ...
Matting the monochrome: Malevich, Klein, and now.(Features)(Critical essay) : An article from: Art Journal
Mark A. Cheetham
Thomson Gale
, 2005
This digital document is an article from Art Journal, published by Thomson Gale on December 22, 2005. The length of the article is 6731 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser. Citation Details Title: Matting the monochrome: Malevich, Klein, and ...
Alex Colville: The Observer Observed
1 review
Mark Cheetham
Ecw Press
, 1994
Colville at a glance
I had hoped there would be more photographs of Colville's work in this book. I also would have liked to see the paintings that were referenced next to the text written about them. I found myself flipping back and forth through pages to find the photograph of a painting I had just read about. I got the impression that the author was afraid of being critical at all and relied on criticism ...
Theory between the Disciplines: Authority/Vision/Politics
University of Michigan Press
, 1990
Studies the place of theory in contemporary intellectual debates
Remembering Postmodernism: Trends in Recent Canadian Art
Mark A. Cheetham
,
Linda Hutcheon
Oxford University Press, USA
, 1991
The first detailed examination of postmodernism in the Canadian visual arts, this study focuses on memory as an essential and recurring issue in the work of some forty Canadian artists, individual and collective. In her afterword, Hutcheon presents a broad overview situating Cheetham's detailed discussions within the ongoing debates about postmodernism in Canada and internationally. The artists discussed include General Idea, Andy Fabo, Claude ...
Discrepant Abstraction: Annotating Art's Histories: v. 2
1 review
Stanley K. Abe
, Mark Cheetham, ...
Institute of International Visual Arts (INIVA)
, 2006
An Important and Groundbreaking Book
Kobena Mercer has long been an important figure in the world of cultural theory and identity politics. He has more recently turned his attention to the fine art object itself. In this groundbreaking book Mercer and a range of other art historians and scholars examine the place of the black artist in the fine art arena. Contrary to art history artists of the African diaspora have played an ongoing ...
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