classical music: Maria Callas ...

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Best Opera Album in the World
Best Opera Album in the World

Alliance, 1999


The #1 Opera Album
#1 Opera Album

Decca, 2001



Maria Callas

Warner Classics, 2000



Aria: Passion for Opera
Aria-A Passion for Opera

Alliance, 1994

Includes Carmen: Quand Je Vous Aimerai?...L'Amour; I Pagliacci: Recitar!, Vesti la Giubba; Madama Butterfly: Un Bel di Vedremo; L'Elisir D'Amore: Una Furtiva Lagrima; Nabucco: Va Pensiero; Gianni Schicchi: O Mio Babbino Caro; Rigoletto: La Dona e Mobile, and more.


40 Most Beautiful Arias
40 Most Beautiful Arias

Warner Classics, 2008

Two CD collection featuring the finest voices in Opera performing the most beautiful arias by the classic composers. An aria is a self-contained piece for vocals with orchestral accompaniment and this collection gathers together arias that will touch your heart and relax your soul as you are lifted by their beautiful melodies. 40 tracks including solos from Placido Domingo, Jose Carreras, Jennifer Lamore, William Christie, Marcello Viotti and ...


Barber of Seville
Rossini, Callas, ...

Capitol, 1989


Art of Singing: Golden Voices of the Century
Jussi Björling, Maria Callas

Nvc Arts, 2002

Many illustrious opera stars of the 20th Century are featured in sound and vision in rare footage, much of it previously unavailable. Accompanying booklet includes comprehensive notes by John Steane. Picture Format: NTSC 4:3, Multiple View Angles, Colour & B/W, DVD-5, 116 Minutes Language & Audio Content: English & French / Dolby Digital 2.0 Mono Subtitles: English, French, Spanish, Japanese Special Features Booklet includes ...


Maria Callas - Remastered (The Complete Studio Recordings 1949-1969)

Naxos of America, Inc., 2014

This is a deluxe box set including: Each individual item (complete opera or recital CD) presented in its original artwork, 136 pages hard-back book containing essays, a biography and chronology, rarely-seen photos and also reproductions of revealing correspondence between Maria Callas, Walter Legge and other EMI executives. Librettos and texts are included on a CD-ROM, and individual albums carry new notes on the specific recording.


Best Opera Classics 100
100 Best Opera Classics

Warner Classics, 2007

This six CD set contains the most important sections of key Operas through history. 100 Best Opera Classics is the companion to last years 100 Best Classics. From Mozart's 'Les Noces De Figaro' to Verdi's 'La Traviata' this collection has you covered. EMI Classsics. 2005.


The Very Best Of Maria Callas
Vincenzo Bellini, Georges Bizet, ...

Alliance, 2002

The crown jewels of the EMI catalog: the cr+¨me de la cr+¨me of Maria Callas's recordings, deeply affecting performances that made her an icon and made an opera lover out of millions! She sings arias from Bizet's Carmen ; Puccini's Gianni Schicchi, Tosca, Madama Butterfly, Turandot and La Boheme ; Mozart's Le Nozze di Figaro , plus Verdi, Saint-Saens and more!


Puccini: Tosca
Giacomo Puccini, Victor De Sabata, ...

EMI Classics, 1997

Maria Callas is at the top of her game, and still very much in her vocal prime. Her dramatic approach to "Tosca" is arguably even better captured in the live recordings from Covent Garden a decade later, but at that point her voice had lost some of its bloom; depending on your tastes, this may be the better example of her doing the role. Tito Gobbi owned the role of Scarpia, and considered it his finest characterization. Although he and Callas ...


Classical Heartbreakers
Classical Heartbreakers

Warner Classics, 2004


Maria Callas: 30 Complete Operas Box Set
Maria Callas

Imports, 2011

The vocal wonder Maria Callas was born under the name Maria Cecilia Sophia Kalogeropoulos on 1 December 1923, entering a world that was soon to worship her - her father George first changed the Greek surname to `Callas' in 1929. However, he was not able to keep the family together and Maria's parents got divorced in 1936. The mother returned to her native Athens with Maria and Maria`s older sister. The future world star Maria Callas started ...


Maria Callas - At Covent Garden 1962 and 1964
Maria Callas, Renato Cioni

Warner Classics, 2002

These two concerts celebrate Maria's triumphant return to the Covent Garden stage. Features Renato Cioni, Tito Gobbi, Robert Bowman, Dennis Wicks


Bellini: Norma (complete opera) with Maria Callas, Tullio Serafin, Chorus & Orchestra of La Scala, Milan
Maria Callas

Warner Classics, 2005


Puccini: Tosca
Giacomo Puccini, Victor De Sabata, ...

EMI Classics, 1990


Maria Callas - The 1958 Los Angeles Concert / Puccini, Rossini, et al
Maria Callas

Video Artists Int'l, 1999



Maria Callas - La Callas... Toujours

Warner Classics, 2001

Maria Callas is the quintessential diva who changed the face of the opera in the 20th century. The repertoire in this performance shows Callas at her best, both in recital and as an operatic actress. Verdi, Rossini, and Bellini were three composers at the heart of Maria Callas's career. Her personal life was of tragic operatic dimensions and perhaps no role comes closer to the essence of Callas than Floria Tosca. The second half to the program ...


Mascagni: Cavalleria Rusticana & Leoncavallo: Pagliacci (2 complete operas) with Maria Callas, Giuseppe di ...
Maria Callas

EMI Classics, 1997

When it works properly, verismo opera has an impact something like a punch in the stomach. This, one of the archetypal verismo operas (the other is its Siamese twin, Cavalleria Rusticana ) delivers a particularly hard and accurate punch from Maria Callas, Tito Gobbi, Tullio Serafin, and--oh, all right--Giuseppe Di Stefano. The tenor is in great voice and impassioned, which will do well enough for Canio, the wronged, inconsolable, and ...


Maria Callas Remastered - Bellini: La Sonnambula (1957)
Vincenzo Bellini, Antonino Votto, ...

Warner Classics, 2014

Like Lucia di Lammermoor and Elvira (I puritani), Amina, the gentle heroine of La sonnambula,was a role that had become associated with light-voiced coloratura sopranos. Callas brought both a new substance and subtlety to the role when Luchino Visconti staged it for her at La Scala in 1955. This recording was made two years later, when the production was revived.



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