book: July, July | Tim O'Brien
 
 


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July, July
Tim O'Brien

Penguin (Non-Classics), 2003 - 320 pages

average customer review:based on 47 reviews
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It takes you to the resting place of self and soul.

Tim O'Brien has accomplished something wrenching and exquisite in "July, July."

Yes, it's amusing and heartrending. But it is more than a clever account of the sixties generation, or the collected inner life of an unsatisfied cohort, or a literary work parading mellifluous skill at saying everything with few words.

In the company of Minnesota's Darton Hall College class of 1969, O'Brien has added texture to middle age and the peculiar power of distant memories to transform reality into fantasy, futility into hope, and loss into longing.

Or visa versa.

This is more than a reading experience, as if an escape to somewhere else. Here's what does happen:

Memories rise into awareness triggered by ancient unrequited love, a crass dismissal, a flippant comment, or a hormone hurried glance. Freed from cobwebs, they sail into the present as gossamer, uninvited and unaided: characters' memories, your memories ... the past revisited, dreams and nightmares found.

To use a Minnesota metaphor, his ribald class reunion is an arrowhead freed from earth. It is a precisely hewed manifestation, chipped from formless flint, utilitarian in purpose, an artifact representing another time, another culture. Like an arrowhead, it can inflict pain or cause wonderment.

"July, July" is 322-pages of bittersweet experience, more pointedly, the part where we leave youth behind and leap into the abyss of middle age.


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Certainly better than 'Tomcat"

I've read just about all of O'Brien's work since he chronicles our generation and keeps the same themes going. July, July is much better than Tomcat...but it does not come up to In the Lake of the Woods. I had read many of the tales in July in NYer or Esquire and I really believe that these tales worked better as short stories than as tied together class reunion tales. Everyone in July has these 2-5 word pithy comebacks. Voices aren't distinct as they were in Things They Carried and Casciato. It was hard keeping everyone straight for the first half of the book because they all had the same voice when he writes reunion dialog. The novel reads quickly but nothing stays. When I read several of the stories earlier, I thought their impact was far more lasting. There's no doubt he's a clever writer. However, people of our generation with our experiences need far less clever and much more depth in understanding these experiences.


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reviews: 1, 2, 3, 4, 5, 6, 7, 8, 9, page 10



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