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Blue Front: Poems
Martha Collins

Graywolf Press, 2006 - 88 pages

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Relays the horror that Collins' father witnessed as a five-year-old boy

The fifth volume of poetry by author Martha Collins, Blue Front:Poems relays the horror that Collins' father witnessed as a five-year-old boy, while selling fruit in front of the Blue Front Restaurant of Cairo, Illinois in 1909. Along with an estimated 10,000 spectators, Collins' father saw the vicious lynching of a black man, and afterward, a white man, both of whom were abandoned to the frenzied violence of the participants. The free-verse poetry narrative varies its rhythm, style, and meter from page to page, and explores human hate, mob mentality, culpability, and what it means to be white in a nation with a racist history. Once picked up, Blue Front cannot be put down. He wanted to know / everyone in the end / he was a kind // man did errands / for old people younger / than he helped kids // with school met people / in stores on the street / please may I help // And the last day / he said You know / this world could be // a better place just / promise me that you / will help he waited // he made change may / I help you please / make change



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A stunning account of racism, mob violence, and cultural responsibility as rendered by the poet Martha Collins  the victim hanged, though not on a tree, this
was not the country, they used a steel arch
with electric lights, and later a lamppost, this
was a modern event, the trees were not involved.
?from ?Blue Front?
Martha Collins?s father, as a five-year-old, sold fruit outside the Blue Front Restaurant in Cairo, Illinois, in 1909. What he witnessed there, with 10,000 participants, is shocking.
In Blue Front, Collins describes the brutal lynching of a black man and, as an afterthought, a white man, both of them left to the mercilessness of the spectators. The poems patch together an arresting array of evidence?newspaper articles, census data, legal history, postcards, photographs, and Collins?s speculations
about her father?s own experience. The resulting work, part lyric and part narrative, is a bold investigation into hate, mob mentality, culpability, and what it means to be white in a country still haunted by its violently racist history.

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