book: East Coast/West Coast and Beyond: Colin Campbell Cooper, American Impressionist | Deborah Epstein Solon, William Gerdts
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•
East Coast/West Coast and Beyond: Colin Campbell Cooper, American Impressionist
Deborah Epstein Solon
,
William Gerdts
Hudson Hills Press
, 2006 - 144 pages
average customer review:
based on 2 reviews
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Great overview of the life and art of Colin Campbell Cooper
The work has been a long time in coming.
Colin
Campbell
Cooper
was recognized as one of the great
American
Impressionist
s in his day. He was elected to the National Academy, his work won many awards and was welcome in any show or gallery. He painted the skyscrapers and important buildings in New York City, the beautiful landscapes of California and was a world traveler painting all over the world. In spite of this, he is overlooked today. This work will help to re-introduce Cooper to many who are not aware of his greatness.
A key acquisition any art library needs to add.
If you don't readily recognize the name of
Impressionist
painter
Colin
Campbell
Cooper
, it's because his career was often overlooked - to the point that this catalog is his first in-depth study, and as such is an essential addition to any comprehensive Impressionist art history collection. Here a biography of his life blends with full-page color paintings and detailed discussions of his influences and art. A key acquisition any art library needs to add.
Diane C. Donovan
California Bookwatch
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Like the fate of so many
American
Impressionist
painters,
Colin
Campbell
Cooper
's career was often overlooked. With this first in-depth study of the artist, Cooper's career is finally illuminated, revealing a virtuosity and breadth of subject matter unique among his contemporaries. Originally from Philadelphia, Cooper was a student of Thomas Eakins at the Pennsylvania Academy of the Fine Arts before moving to Paris where he attended the Academie Julian and the academies Delacluse and Viti. It was in Paris where his enduring interest in architecture began with mediaeval architectural monuments, especially Gothic cathedrals. This interest in architecture developed into the theme for which his art would forever be associated. Relocating to California in 1921 led to his fascination with
West
Coast
architecture with its Spanish influences, and his later work also reflects his love of the Western landscape. Whether painting the
East
or the West, Cooper was lauded as a significant Impressionist artist who
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