Great follow-up to Westmark, a solid YA epic fantasy | The Kestrel

Excellent middle book | The Kestrel | Lloyd Alexander

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	• The Kestrel Lloyd Alexander Firebird, 2002 - 256 pages average customer review:based on 18 reviews view larger image
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highly recommended

A trilogy by Lloyd Alexander, the grand master of fantasy!

The second book of the Westmark Trilogy, the adventures of Westmark continues in "The Kestrel". Theo is now traveling through Westmark to learn more about the country. He and Mickle, now known as Princess Augusta, are hoping to be married after he returns. But suddenly and without warning, Westmark is thrown into turmoil as the neighboring country of Regia has declared war on Westmark. Theo is once again forced into making a hard decision, will he stay in the sidelines or fight for his country? Eventually, he joins under the command of Florian and his people to fight a guerrilla war against the troops of Regia. As he sees brave and honorable men die one by one, Theo finds himself changing into a merciless commander and a stranger to himself...

For those familiar with Lloyd Alexander's award winning series, "The Prydain Chronicles", I can honestly and truly recommend this other series written by the 'grand master of fantasy'. A bit more serious with dark overtones, "The Westmark Trilogy" deals with realistic events that can almost convince you that the series is based on true historical events. Through the series you will be given a chance to explore the characters as they struggle with forces beyond their control. Lloyd Alexander gives a realistically accurate study of human nature and psychology of war. I must say, after reading this book, I was left in thoughtful silence, musing over what I had just finished reading. It is not very often we Young Adults are given books which leaves you in a state of contemplation

As I said, I can highly recommend the thrilling and psychologically filling "Westmark Trilogy". Best to read in order. But the faint-hearted be warned, this book and the next one in the series are somewhat violent and gritty since the main theme is about war. But nothing too bad to turn away lovers of a good series! Pick these series up!

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Great follow-up to Westmark, a solid YA epic fantasy

This is the second book in the Westmark Trilogy and starts up a short time after the last book left off. It was a solid young adult fantasy; I didn't like it quite as much as the first book but it was still a very well put together fantasy.

Theo is assigned with going exploring around the kingdom and reporting the findings back to the Queen and King. While he is out news comes to him from Florian that one of the kingdom's main generals may be a traitor; right after Theo gets this news he receives news that the king has died...now Mickle is Queen of the realm. Theo sets off to find Mickle but instead gets embroiled in fighting and it is fighting that brings out the more violent side of his nature. Mickle, meanwhile, has other ideas of what a Queen should be doing and takes off to find Theo.

This book switches perspective a lot more than the first book. We hear things from Theo's view, Mickle's view, Kellner's view, the Chief Magistrate's view, Prince Connie's view, and the water-rats' view. All that switching around breaks up the story a little, but for the most part things flow very well.

As in the first book, the plot is very engaging as are the characters. This book is a bit of a tougher read because you have to read carefully to follow the plot and all the people; in that it is typical of most epic fantasies. The style of the writing is very similar to the first book.

There were a couple this about this book that were a bit "off" for me. The first was that there was so much discussion of politics; I personally prefer reading about adventuring versus politics...the politics are well done but there are a lot of them. The second thing was Mickle's character. It bothered me how she spent most of her childhood as a beggar and then she is Queen and suddenly she understands military strategy and is super strong and proficient. I think if I were a younger reader this wouldn't bug me as much; but as an adult I want to know where she learned all these military tactics...I know she is smart, but still.

Outside of the above mentioned quibbles, this was a very well done novel. You definitely need to read the first book first. I would recommend this for young adults and older, it is not that content is inappropriate for younger children...it is just that I don't think younger children will be all into the politics going on here. I am eager to read the third (and final) book in the trilogy Beggar Queen (Westmark Trilogy).

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Excellent middle book

This novel is very well-written. The action keeps the reader engaged, and perhaps distracts him from the thought-provoking exploration of war, democracy, class struggle and revolution that it frames. The first book of a trilogy is limited by the need for exposition, and the last by the need for conclusion. As such, it is only in the second book that a trilogy can stretch its legs and explore the world into which it ushers the reader, and this book does so with aplomb. Highly recommended.

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Am I the only person who doesn't love this book?

If you've read the other glowing reviews for this book, and for the other books in the same series, then you'll probably understand why I decided to purchase this whole series all at once, without reading even one of them first. According to absolutely everyone else, these books are brilliant, and I fell for the hype. I was looking forward to reading them like a starving man looks forward to eating a three course dinner.

But having now read the first two books, I beg to differ from the other reviewers. I read the first one, 'Westmark', over a year ago. It was okay, I suppose, but I was so nonplussed by it that I waited until now to read this second book in the series. And I have to say, I am just as unimpressed with this one.

This book does have some good points...there are the poignant observations on the brutality of war, the inequality of the feudal system, and the corruption of the power of officials and the ruling class. That's all well and good, and done with some finesse.

But there are some big problems, too, with this book. The storyline moves quickly, often too quickly, and glosses over too many things. There is a lack of detail and world building, the things that help make scenes real for a reader. Also, it lacks warmth, and fails to make the reader feel happy. Sorry, but I like books that give me a happy, warm feeling at least ONCE in the narrative. This book was never really uplifting. But the biggest problem was with the characters. I just never really felt empathy for them, or cared too much what happened to them. I did warm slightly to the street urchins, the elderly castle advisor, and 'The Monkey', whose military experience was admirable. And Mickle, the Queen, was at least a strong female character. But everyone else was just sort of dull, flat, or even annoying. I should have liked the Poet, but he just went on and on about his Muse, to the point where I wondered, doesn't he do anything else? Is he completely one dimensional? Where are the intelligent, poetic insights that such a character should have brought to the story?

I know war is dark and horrible. But there's still room for warmth and even humour in a war story. Australian comedian John Doyle proved that when he wrote the brilliant and evocative tv series 'Changi', which showed how a group of young Australian men dealt with the horrors of life in a WWII Japanese POW camp, by keeping a sense of humour, and holding on to their basic humanity. That show was realistic, gritty, and so sad I cried in EVERY episode, yet it was still uplifting and inspirational...not like this book!!!

I also know this book was written a few decades ago, and the standards for writing were often lower back then, in the age before modern word processors, when it was much harder to do rewrites. But I still think this book should have been much better. And I am worried by the fact that it has been given so much acclaim by so many reviewers. Are literary standards really so low that we'll proclaim any middle-of-the-road work a literary masterpiece?

I don't know if I'll ever get around to reading the third book in the series. Even if someone told me there was my favourite chocolate and a $50 note tucked inside its covers, I'd still be a little reluctant to open it up.

But hey, what do I know? I'm the only person who doesn't think this series is the most brilliant thing ever! I suppose you'll just have to make up your own mind. But don't make my mistake -- don't go buying the whole series of books until after you've read the first one. Then, if that first book leaves you feeling like I did, as flat as a pancake and as bored as someone watching a 24 hour marathon of documentaries on how to watch housepaint drying, then at least you'll know you haven't wasted too much of your money!

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Second in the Westmark series does not disappoint

Political intrigue and moral questions are explored in The Kestrel, the second in Lloyd Alexander's Westmark trilogy.

The long-lost heir to the throne, the orphan Mickle, has been reinstated. The evil chief minister Cabbarus has been exiled from Westmark. Things seem, on the surface, to be going smoothly. But the untimely death of the king of Westmark sparks the flame of unrest in the country.

The nobility is unhappy with their "beggar queen." The commoners want a government in which they have more of a say - they would be happy to do away with a monarchy altogether. Thrown into this mix is Mickle, now the ruling queen upon her father's death, and Theo, who finds his loyalty tested and divided between his friends in the anti-monarchy movement and his love for Mickle, which causes him to want to protect the crown. When a neighboring kingdom invades Westmark, Theo sets out to prove himself by aiding his friends, while Mickle rises to become an unlikely war leader.

The Kestrel continues to explore the hard questions introduced in the first book of the trilogy. The main characters wrestle with wondering when violence is acceptable, and for what reasons. They also have to deal with issues of stealing (when you're hungry, is it okay to be taking from your own side?), honor, and how far you can make personal compromises before you become someone you don't want to be. Alexander does a commendable job in presenting these issues with no pat answers or preachiness. In the book, as in real life, there are no easy solutions and people have to deal with the consequences of their choices.

The political issues are also brought into play in The Kestrel. The ideals of the peasantry, the long-standing aristocracy, and everything in between are represented by most of the main characters. Each idea has merit, and yet they are hard pressed to find the right balance. While the war is brought to a satisfying conclusion, the book itself ends on an unclear note, hinting that the problems of Westmark government will be concluded in the final book of the trilogy.

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Theo is traveling Westmark, learning about the country of which he will soon be Prince Consort. He is not surprised to find great poverty-Mickle (now known as Princess Augusta) could have told him that from her years on the street. His friend Florian could have told him about the aristocracy's graft and corruption. But neither could have foreseen a loaded pistol in the practiced hand of the assassin Skeit. The echoes of that shot ring from the muskets and cannons of a Westmark suddenly at war-a war that turns simple, honest men into cold-blooded killers, Mickle into a military commander, and Theo himself into a stranger. . . .

"The plot is magnificent, the characterizations are excellent, and the issues are compelling." (Children's Literature)

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