Nevertheless, the book has three strong points that make it worthwhile. One, Polenberg includes a wide variety of primary sources: speeches, photographs, Supreme Court decisions, letters, posters, poems, songs, press conferences, etc. The sources also come from a range of people, left and right, "large and small." This makes the book particularly useful as a teaching tool for showing students how to tackle primary documents of all types.
Two, in the book's imbalance lies its strongest element--it covers the Depression and the New Deal thoroughly, offering new perspectives and carving new dimensions. We hear from the Roosevelts, both Franklin and Eleanor. We read the views of writers John Steinbeck and Upton Sinclair, and of Roosevelt opponents Charles Coughlin and Huey Long. Administration officials provide their opinions on New Deal legislation (including the frequently ignored Federal Theatre Project). Dorothea Lange's photographs depict the misery and poverty of the Depression. Mexican-American, African-American, and Native American viewpoints also receive attention. Polenberg successfully draws documents to paint a multi-dimensional, in-depth portrait of the 1930s.
And three, Polenberg concludes with a fine bibliography for further reading on the various topics of spanned by the documents.
All in all, despite the weak coverage of World War II, the book is eminently useful for readers interested in the period and especially for teachers and students. Had Polenberg covered the war years in the same detail as the Depression/New Deal, this would be a thoroughly excellent sourcebook. Nevertheless, it is a worthwhile book and could function quite well in an AP history course, or as a complement to reading, say, David Kennedy's Freedom from Fear.
