Comic retrospective | Masters of American Comics
 
 


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Masters of American Comics

Yale University Press, 2005 - 328 pages

average customer review:based on 9 reviews
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   highly recommended  highly recommended






Damaged cover on a great book

I purchased this book for a Christmas gift, the cover was damaged and it should have been protected in shipping.
The box it was shipped in was in perfect condition the inner protection, well there was none!

I purchased this book as a gift for the person who viewed the exhibit with me, it's an excellent book, a great retrospect.


Masters all

I recently purchased The Monster of Frankenstein, Dick Briefer's Horror Comic Epic" and was so enthralled by this golden age comic that I had to have more.

"Masters of Comic Art", a reexamination of pop culture comics morphed in to fine art, is a useful overview of a "who's who" in the comic world.

Beautifully reproduced in full color and loaded with great art and interesting information about the creators makes this book a must have.



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Comic retrospective

This book works well with the museum exhibit, if you get the chance to see it. If you don't, the book itself is a good overview of comic history, and the pictures are great.




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Off The Wall Popular Culture Definitive Volume-A Must Have.

As a Lender to the Exhibition this book covers in its voluminous pages, the actual chance to see the exhibitions in LA, Milwaukee and New Jersey Museums was only aided by this graceful tome. Four Stars ****!






Comic strips and comic books were among the most popular and influential forms of mass media in 20thcentury America. This fascinating book focuses on fifteen pioneering cartoonists?ranging from Winsor McCay to Chris Ware?who brought this genre to the highest level of artistic expression and who had the greatest impact on the development of the form.

Organized chronologically, Masters of American Comics explores the rise of newspaper comic strips and comic books and considers their artistic development throughout the century. Presenting a wide selection of original drawings as well as progressive proofs, vintage printed Sunday pages, and comic books themselves, the authors also look at how the art of comics was transformed by artistic innovation as well as by changes in popular taste, economics, and printing conventions.

First appearing in newspaper Sunday supplements, the comic strip became immediately successful and created the largest audience of any medium of its time. The comic book first began as a way to print existing newspaper comics, then subsequently established the mass popularity of superheroes in the 1940s and 1950s before it matured as a vehicle for independent personal expression in the underground comic books and graphic novels of the 1960s.

Included in the book are insightful and entertaining essays on individual artists written by major figures in the fields of comics, narrative illustration, literature, popular culture, and art history. Masters of American Comics convincingly positions the genre of comics into the history of art and is destined to become a classic text for years to come.


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