Everywoman | Self-Help | Lorrie Moore
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Self-Help
Lorrie Moore
Vintage
, 2007 - 176 pages
average customer review:
based on 29 reviews
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highly recommended
Some strong stories with filler
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" is an uneven collection of short stories, but the bad outweighs the good here. I suggest sticking with the standout pieces and skipping the rest. The opening piece, "How to Be an Other Woman" is an exceptional short story. Moore is great at finding the perfect turn of phrase. Her humor is often sardonic but never completely cold. Her writing style is cool, detached - but there's enough warmth to strike a balance. The next story, "What Is Seized" has a very undergraduate feel. It is too long and not as fresh. So it is with much of "
Self-Help
." I am thankful, however, that I kept reading, holding out hope for something to match "Other Woman." "Amahl and the Night Visitors" is another strong story. It contains all of the tenderness and originality of "Other Woman" but with characters that are more fleshed out. Like "Other Woman" it also deals with an affair. "How to be a Writer" is also a good piece, though not as strong as the other two I've mentioned. "Self-Help" is the only book by Lorrie Moore I have read and though all of didn't wow me, enough did to make me want to seek out more of her work.
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Excellent read for students of literary fiction
This and other Lorrie Moore books were favorites of almost all of the women in my MFA (creative writing) program, as well as of many of the men. We all started with Anagrams (one of my all-time favorites), then moved on to this, then Birds of America. I noticed that people who enjoy cheesey romance novels don't like this book because it portrays love in a way that's painfully familiar, lifelike. Moore is hilarious and tragic and so brutally honest she'll give you road rash at the same time that she makes your creative
self
blush and feel elated.
Everywoman
Wow. Lorrie Moore just gets it so right. These stories are piercing, exposing, pointing the finger right at the reader, yet sympathetic and just true, true, true. Moore certainly has a flair for drama, which comes out in stories like "What is Seized", but it's never gratuitious or too far-reaching. Worth reading simply for "How to Be the Other Woman" (relevent not just for any woman who has had an affair, but for anyone who has loved a man who is less than fully committed) and the wonderfully inspiring "How to Become a Writer."
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These stories will make your really think
Lorrie Moore is famous for her humor, her wry use of language, and her honest look into the strangeness that is at the heart of human lives. Vintage Contemporaries has just republished her 1985 book of short stories,
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, in which Moore takes the how-to genre and turns it on its head. Instead of high-minded advice about happiness, success and love, Moore provides stories that outline how to become "the other woman," lay out an ironic kid's guide to divorce, and even advise the (best?) way to face the end one's life when confronted with terminal illness.
These stories gain much of their power through the imperative voice. "Meet in expensive beige raincoats, on a pea-soupy night," Moore begins in "How to Be an Other Woman." She is talking directly to us, the readers. She is giving advice, and her characters take it, and we get to see, by the actions carried out, that she is not necessarily providing a hopeful fantasy of what we might want to be, but more a roadmap of what inherently is.
These stories are now more than 20 years old, but reading (or re-reading) them again today, they are as poignant and relevant as they were in 1985. Her subject matter is timeless--love and death and relationships with mothers--and her subjects, the characters of her stories, remain witty and edgy and current.
Moore is a writer of great talent, and her mirthful use of irony is one thing that separates her from other short story writers, has even made her a writer that other writers study and mimic and revere. Almost as if, in 1985, predicting this place she would occupy in the world, she gave us in this collection the story "How to Become a Writer," in which she bluntly lays out this admonishment: "First, try to be something, anything, else." We can only thank goodness that she didn't seriously follow her own advice.
Armchair Interviews says: Check out Lorrie Moore on Wikipedia. She sold this first book of short stories derived from her 1985 thesis when she was 26. Lucky us.
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In these tales of loss and pleasure, lovers and family, a woman learns to conduct an affair, a child of divorce dances with her mother, and a woman with a terminal illness contemplates her exit. Filled with the sharp humor, emotional acuity, and joyful language Moore has become famous for, these nine glittering tales marked the introduction of an extravagantly gifted writer.
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