if you are a singer, and admire sprituals this is your source | The Books of the American Negro Spirituals | James Weldon Johnson, J. Rosamond Johnson
 
 


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The Books of the American Negro Spirituals
James Weldon Johnson, J. Rosamond Johnson

Da Capo Press, 2002 - 384 pages

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Outstanding transcriptions of traditional music

This book stays true to aural tradition and offers outstanding, non-Westernized arrangements of the aural traditional music of African American spirituals.

The choice of using phonetic spellings for the lyrics means that the lyrics are heavy in the use of words like "dese", "dose", "Heab'n", etc. However, given the original publication being in the 1920's, and the author's comments in the introduction, it is apparent that the spellings are not the result of gross cultural insensitivity.

The respect for, and love of this fine music comes through in the author's comments. And the transcriptions retain the strong harmonic features that are often "arranged out" of collections of aural traditional music.

It is a fine collection, and an absolute steal at the price.


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The Books of American Negro Spirituals

This is one of the best reference books available on the history of Negro Spirituals as well as a vast collection of songs - many of which have not been heard during our time. The preface begins with an awe inspiring poem " O Black and Unknown Bards". This is a must read for musicians, especially singers of Spirituals. Composers and arrangers would appreciate it's content as well.


if you are a singer, and admire sprituals this is your source

i love spirituals and especially for a bass/baritone, the spiritual is a form that allows the low voice to shine. i purchased this work and have begun to enjoy working from sheet music with songs that previously, i only had the words, and maybe a recording to learn from.

not much else to say. if you want to see how spiritual looked when they were first transcribed for musicians, this is a one stop source.


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The Best

This is perhaps the best compilation of African American Spirituals. Both of editor James Weldon Johnson's volumes are included as are his excellent introductions. The introductions alone are worth the price of the book and more. Johnson's brother provides the arrangement, as close as possible to the most likely way(s) in which they were originally sung. The words themselves are also as close as possible to the original wording. "The Book of the American Negro Spirituals" provides a first-hand accounting of the lyrical majesty and the creative genius of the enslaved African Americans as they integrated Christian truth into their daily suffering.

Reviewer: Bob Kellemen, Ph.D., is the author of "Beyond the Suffering: Embracing the Legacy of African American Soul Care and Spiritual Direction." He has also authored "Soul Physicians," "Spiritual Friends," and the forthcoming "Sacred Friendships: Listening to the Voices of Women Soul Care-Givers and Spiritual Directors."



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In two elegant and masterly prefaces, James Weldon Johnson discusses the origin and history of more than 120 of the most significant spirituals known. Favorites like "Swing Low Sweet Chariot," "Deep River," and "Go Down, Moses" are arranged for voice and piano by his brother, J. Rosamond Johnson, and considered within their African tradition.



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