Capote at his best | Conversations with Capote

You won't be able to put this one down. | Conversations with Capote | Lawrence Grobel

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	• Conversations with Capote Lawrence Grobel Da Capo Press, 2000 - 272 pages average customer review:based on 8 reviews view larger image
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highly recommended

Highly Recommended

Truman Capote was a great writer and self-promoter. Both characteristics come through in these interviews with Lawrence Grobel, an interviewer who has done his homework and only intrudes when he has something to add.

The book stands up well on its own merits, but will prove more enjoyable if you read some backgound material first, notably (in order of priority) "Music for Chameleons," Gerald Clarke's first-rate biography, and "In Cold Blood."

After you've read it, you may want to watch A & E's excellent documentary on Capote's life.

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Capote at his best

This is the book that makes you sad at the prospect of Truman Capote dying before he could finish his last novel, but you suspect that he didn't have to finish it since you get a lot of it from these interviews. He was one of the most fascinating figures in literary history and his insights into art, literature and celebrity are amazing.

There's a running rivalry with Norman Mailer, a dismissal of the beats, discussion of Breakfast at Tiffany's. He talks about interviewing the killers for In Cold Blood and how that led to other interviews with convicted killers. He discusses Hemmingway and leaves the reader with one of the best lines ever - "I am the man that Hemingway pretended to be." which is even more interesting when you consider Hemingway's repressed homosexuality (or accusations thereof) in light of Capote's openly gay personae that he displayed when that could get you killed.

Be warned. Once you start reading this book, you won't be able to put it down. So set time aside so you can finish it in one sitting.

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You won't be able to put this one down.

Wonderfully insightful. Truman's own words give you an entry to this great writer's philosophy. It's a fast read.

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Funny read

everything and perhaps a little more than you want to know about Truman Capote. A nice easy to read bok.

You Will Want to Read the Whole Thing

I own several books of conversations with authors. This is the first one I've wanted to read cover-to-cover without pausing for a breath. It's the first one I haven't been tempted to skim, looking for the best nuggets, because this one is FULL of nuggets. Capote isn't afraid to say, flat-out, what is on his mind. The chapter about his contemporaries is particularly interesting to me.

For instance, of Faulker he says: "Well, he was completely reckless. I'm not a great admirer of Faulkner. He never had the slightest influence on me at all. I like three or four short stories of his, 'That Evening Sun,' and I like one novel of his very much, called LIGHT IN AUGUST. But for the most part, he's a highly confusing, uncontrolled writer."

Which is all absolutely reasonable. Then Capote adds, "I knew Faulkner very well. He was a great friend of mine. Well, as much as you could be a friend of his, unless you were a fourteen-year-old nymphet. Then you could be a great friend!"

And Capote doesn't hold back about any of his other contemporaries, either, like Ken Kesey, Jack Kerouac, Norman Mailer, Gertrude Stein, and more. For instance, when the interviewer expresses his respect for Bellow's HENDERSON THE RAIN KING, Capote says, "Oh no. Dull, dull."

This book also has several photographs of Capote. The quality of the photos, at least in my softcover edition, are rather poor, unfortunately, but many of them I've never seen before, such as the one with Truman showing up to a court appearance on a drunk driving charge in shorts! The caption reads: "He [the judge] was very insulted...Actually, I looked quite smart. I had a very smart pair of shorts on and a very smart jacket and shirt and sandals."

In some ways, this is like reading a great comedy routine, yet there are definitely undercurrents of anger and sadness in this book. I highly recommend it.

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Who but Truman Capote would dare to say that about (among many, many others) Jacqueline Onassis, Norman Mailer, Montgomery Clift, André Gide, Marilyn Monroe, Lee Radziwill, Tennessee Williams, J. D. Salinger, Gore Vidal, and Elizabeth Taylor? Equally pointed is Capote's talk about himself-his childhood and early fame, his bouts with drugs and alcohol, his homosexuality, his assessment of his talent and his work, including In Cold Blood. He has definite opinions about good writing, and he isn't shy about saying who he thinks the biggest phonies are among his fellow writers. Conversations with Capote-which Capote intended to be the definitive in-depth interview-makes both the man and his times come alive and has what the San Diego Union called the "quality that will bring readers to it again and again."

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