Snaps of the visual generation | The Last Photographic Heroes: American Photographers of the Sixties and...

book: The Last Photographic Heroes: American Photographers of the Sixties and Seventies | Gilles Mora

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	• The Last Photographic Heroes: American Photographers of the Sixties and Seventies Gilles Mora Abrams Books, 2007 - 200 pages average customer review:based on 2 reviews view larger image
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a must

I purchased this book sign unseen. Always risky. But I am extremely pleased with my purchase. The book is insightful and smart. Anyone who loves this particular era of photography will find it to be informative, provocative, and thorough. The delightful and unexpected aspect was learning about a few photographers who I was unfamiliar with. Surprising since I studied photo. I have given it to a couple of friends to read in order for them to understand the era that defined the kind of photography I love. Great examples of great photographers.

Snaps of the visual generation

Rather cheekily, I thought, Gilles Mora kicks off his fascinating study of sixties and seventies photography with a reference to a 1958 Popular Photography magazine poll, by 234 critics, to nominate the world's ten greatest living photographers. The chosen ten, naturally famous but annoyingly for Mora did not include Walker Evans or Robert Frank (or Harry Callahan, Aaron Siskind and Paul Strand either). The reason it seems was that American photography was stuck in either providing illustrative or informational work and its last gasp was the 1955 MoMA Family of Man exhibition.

The 1958 publication of Robert Frank's 'The Americans' is generally considered to be event that kick-started a generation of photographers to explore, in very individual ways, the American social and man-made landscape. It is twenty-nine of these who form the basis of Mora's book. Mostly they are well-known now having had exhibitions and books published and been around long enough to have created photographic genres: like New Topographics or American Lumanists.

I thought the editorial flow of the book rather impressive. The five chapters are sub-divided into sections where Mora explores a theme followed by a selection of relevant photographers (and their work) with each getting some copy about their life and creative output. Related areas include the rise of the photo gallery, photo publishing and running through most of the pages (rightly I thought) the extraordinary influence and drive of MoMA's photo curator John Szarkowski.

The book's production is as impressive as the contents. The two hundred photos are printed on quality matt paper with plenty of large images in 250dpi+ screen. Photos have captions on the same page (thank goodness, so no flipping to back pages to check out a caption, which seems the annoying style of so many photo books these days). Strangely there is no index or bibliography, maybe Mora thought this was too personal a photo journey to bother with such things? I'll add two that I've enjoyed: American Images: Photography 1945-1980 a good reference to eighty-five photographers with 350 photos and American Photography more a straight history.

'The Last Photographic Heroes' delivers a lively look at American imagery and Mora's efforts might make it the standard book on the subject.

***FOR AN INSIDE LOOK click 'customer images' under the cover.

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The photography that Americans invented in the 1960s and ?70s was as fresh and vital as their music. Photographers of those years believed in their medium?s unlimited capacities of expression. Between the publication of Robert Frank?s The Americans (1958) and the coming of post-modernism, the photographers featured in this book embarked on their own personal quests. Whether they roamed the world, like Lee Friedlander and Garry Winogrand, or sought out its dark corners, like Larry Clark and Nan Goldin, they shared a fierce devotion to their medium and its unique qualities.

The generation that created this work knew it was remarkable. Today, with Gilles Mora as a guide, we can look back on it with even greater appreciation, since we know that these were indeed the last photographic heroes. Also includes work by Joel Meyerowitz, William Eggleston, and many others.

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