book: Impressions of Light: The French Landscape from Corot to Monet | Paul Gauguin, Karen Haas, ...
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Impressions of Light: The French Landscape from Corot to Monet
Paul Gauguin
,
Karen Haas
, ...
MFA Publications
, 2002 - 320 pages
average customer review:
based on 2 reviews
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Come Visit Beautiful French Landscapes
The book
Impressions
of
Light
by George Shackleford et al is a companion book to an art exhibit of works
from
Boston's Museum of Fine Art. The paintings are
landscape
s created by France's greatest nineteenth century painters and photographers. Most of the painters are Impressionists but others schools are represented as well. The book also contains sketches which were part of the exhibit. The sketches, as well as the written commentary which accompanies many of them, allows the reader to better understand the creative process of the painters. The factual information in the book is very extensive and helps the readers see more in the works than normally meets the eye. Perhaps what is most interesting about this book and the collection of paintings and photographs included it is the plethora of lesser known works by these great artists. Readers, especially those who have been fortunate to view the exhibit, will be transported to the settings of these great works and gain a deeper appreciation of these great artists and photographers.
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A spectaculrly beautifully, illustrated art history
Impressions
Of
Light
: The
French
Landscape
From
Corot
To
Monet
is a lavishly, richly, spectaculrly beautifully, illustrated art history showcasing one hundred years of French art and 56 French artists. Included area wealth of rare and unusual monotypes by Degas, three states of a softground etching by Pissarro, and numerous illustrative works by lesser-known by equally significant contemporaries. Of particular interest is the attention paid to intersecting developments in French art from the Barbizon school through post-Impressionism. Enhanced with more than 80 paintings and 70 works on paper drawn from the MFA collections, showcasing the French landscape through painting, prints, and photography, Impressions Of Light deftly explores individual artists' perceptions as well as the manifold ways that influenced each other. Impressions Of Light will prove to be a welcome and much appreciated contribution to Art History collections in general, and 19th Century French landscape art and photography in particular.
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This large, lavish journey through the art of the 19th-century
French
landscape
offers a host of masterful works, among them
Corot
's Forest of Fontainbleau, Millet's End of the Hamlet of Gruchy, Renoir's Rocky Crags at L'Estaque, and
Monet
's Rue de la Bavolle, Honfleur. As is often the case, however, some of the most wonderful things to see are also the least expected: rare and unusual monotypes by Degas, three states of a softground etching by Pissarro, and numerous works by some of their lesser-known but equally important contemporaries. Unlike previous books on the topic,
Impressions
of
Light
presents a unique and stunningly complete group of work that introduces a new level of complexity into the discussion of French landscapes. Rather than considering the landscape as a steady, linear development and the product of a single medium, it takes into account the many crosscurrents and intersecting developments in French art,
from
the Barbizon school through the post-Impressionist period. In addition, it studies the landscape in a variety of media--painting, prints, and photography--exploring both the individual artists' perceptions and the ways in which they influenced each other. With over 80 paintings and 70 works on paper from the Museum of Fine Arts, Boston's collections, and published to accompany a major exhibition, Impressions of Light encompasses more than 100 years and 56 artists working in a dozen different media. It holds the broadest possible view, yet never loses sight of the extraordinary intricacy that makes the landscape so enduringly appealing.
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