What Were They Thinking? | The Sixties | Richard Avedon, Doon Arbus
 
 



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The Sixties







Richard Avedon, Doon Arbus

Random House, 1999 - 240 pages

average customer review:based on 9 reviews
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   highly recommended  highly recommended






The Sixties by r. avedon

The book came promptly but since it's a gift i haven't opened it. it came in good condition - still wrapped in plastic.


Richard Avedon The Sixties. by Vincent Marcinelli





"It was the best of times it was the worst of times..." a quote from Charles Dickens novel a Tale of two Cities sets the tone for Richard Avedon's photography collection, The Sixties. The large black print is bold and overpowering giving the reader an unmistakable message of what this collection will bring. In Avedon's unabridged collection documenting the sixties with the addition of text by Doon Arbus, they help to reiterate in pictures and words the turbulent decade. Each person depicted in this photo collection represents a figure that played an important role in the shaping of America's history. The 1960's was a time of uncertainty, a generation full of people looking for a change, not only in the aspect of war and peace, but a change in the greater meaning of the word. In this unprecedented time of war, when the U.S. was torn apart by racial inequality, when America was in the midst of a revolutionary change in ideals; Richard Avedon was there to document. This is the astonishing beauty of The Sixties, the ability to reveal the inner most feelings of these prominent people, who inadvertently defined a decade.
Many prominent recording artists rose to stardom in the sixties. Many of these artists were part of the "hippie" movement. Drugs were a large part of these ideals; ideals of free love and spiritual enlightenment. Many great recording artists of this time were fell into a life of drug addiction or substance abuse and in turn succumbed to early deaths. One of these artists was Janis Joplin. " I have like what anyone would call like, say, a loneliness, a loneliness of my own." (Richard Avedon, The sixties) Janis Joplin explains. Richard Avedons's photo unravels before the viewer's eyes, revealing an esoteric undertone that resonates a level of sadness.
Through many other portraits Avedon successfully portrays the spirit of the sixties. Avedon is nothing short of a pioneer in the history of photography, and has produced some of the most memorable pieces of art, including this account.


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What Were They Thinking?

Before going into the merits of this book, let me caution readers that the book (and back cover) contain many images and written material that will shock and appall many including four-letter words and obscene gestures, undressed people portrayed for their shock value, and people involved in activities not often seen in public. If those things offend you, definitely avoid this book.

In reviewing this book, I found it hard to separate my views of the sixties from my views about the book. I hope I have succeeded.

The book is comprised of photographic images done by Richard Avedon and snippets of interviews with many of the subjects done by Doon Arbus, daughter of photographer Diane Arbus. The people portrayed in the book include the more bizarre public figures of that age. Their photographs speak eloquently about their lives and mental states. Their words have a hard time being as eloquent, because many of the people had few thoughts.

In evaluating the book, I saw two significant weaknesses. First, I looked for who was missing. The book nods much more heavily to the counterculture than to the main culture. As a result, the story of the Sixties is biased by its focus, and misses the opportunity for making more interesting comparisons. If I were to show this to my children (which I would not do because of the material in it), they would get a highly inaccurate view of the sixties. Second, I looked for the quality of the photography. Clearly, there were some great photographs, but there were lots of pretty ordinary ones. Combining these perspectives caused me to grade the book down one star.

The best part of the book was some "before" and "after" photography and interviewing with Bob Dylan. The before and after photographs of Frank Zappa were also interesting. Had the volume developed this theme more, it would have been much more valuable. Those who were the counterculture icons of the age could tell us a lot about the sixties by describing how they have changed.

Midst the images of race, war, protest, sex, drugs, and rock, I would be remiss if I did not point out which Avedon photographs moved me. These included images of Louise Nevelson, Dao Dua, Paul McCartney, Dorothy Day, George Wallace with Jimmy Davis (his valet), Cesar Chavez, James Baldwin, a Napalm victim, and Truman Capote. Avedon drew from their souls into mine very powerfully. These photographs were very impressive. In fact, they were so impressive that they made the others seem more bare and uninspiring, which was undoubtedly part of the editorial purpose.

If you were alive during the sixties, I suggest that you create your own annotated scrapbook of that period to share with your children and grandchildren. They will be enriched by your sharing of the images that were important to you, and what you thought about those images then . . . and what you think about them now. In this way, you may be able to successful transmit what was good about the sixties while discouraging what was not so good.

Peace now!


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What a time, what a time...before we all melted...

Okay, forgive my purple prose. But this book seems to evoke that kind of emotion, filled as it is with images of people at their most open, their most shocking and their most vulnerable...and yes, their most naked. If you are offended by nudity or just plain horrorific images, pass this one by. But if you want a glimpse of the 60s in all its countercultural glory (and naivete), buy this one. Read it. Look at the images and hear the voices of some of the people who were considered icons of the time. It was truly the best and worst of times (stealing from Dickens). But also a courageous moment in our collective history. I'm thankful that Avedon took photos throughout these years.


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Amazing potrayal of the sixties by Avedon

What I liked about this book is how Avedon capturing glimpse of sixties atmosphere into his photographs. In this book he includes many famous celebrities from musicians to actress. Although this book has full frontal nudity, horrifying image of impact of war, sex and drugs scenes, it's really portraying "the truth" about sixties.

The writings by Doon Arbus also related into Avedon's image, which is really helpful for the audience to understand what happened at those time period. If you really interested to know about rock and roll, politics and celebrities on the sixties, this book might be suited for you.


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The photographer Richard Avedon and the writer Doon Arbus began collaborating on this book thirty years ago. The photographs and interviews they did then remain faithful to what was, like the contents of a time capsule.

Meeting somebody and balling them means something, but it doesn't mean near as much as it used to. --Janis Joplin, September 1969

In a society where there is institutionalized oppression, the thing is to catch government and business in the grass--actually humping. --Florynce Kennedy, August 1969

I was so afraid of being bad and being caught at it. --Dr. Benjamin Spock, September 1969

The connection between all the rhetoric and all the poetry, between the words of a Black Panther and those of a rock star or a pacifist, between the scars of a pop artist and those of a napalm victim, have haunted and informed the structuring of this book, with its own peculiar version of a beginning, a middle, and an end.

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