Not Enough Real History | Captain From Castile [VHS]

Great Movie!! | Captain From Castile [VHS] | Tyrone Power, Jean Peters

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	• Captain From Castile [VHS] Tyrone Power, Jean Peters 20th Century Fox, 1997 average customer review:based on 36 reviews view larger image
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highly recommended

Great movie

This is an old movie that I remember from way back. The DVD is excellent; the story is wonderful. I highly recommend everyone see it.

Not Enough Real History

The conquest of Mexico is one of the great adventure stories in history. This film trivializes it by focusing on the story of one Spanish nobleman (Tyrone Power) and by treating only the beginning of Cortes' campaign. Cesar Romero makes the film in the role of Cortes. He is energetic and magnetic. It's a great performance. The rest of the film pales in comparison. Some will resent the heroic treatment of the conquest, and those who do probably shouldn't see this movie.

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Great Movie!!

I've always liked this movie as it has a excellent music sound track. Being able to get it on DVD just made it better. The only draw back was the soundtrack wasn't in stereo which was a bit of a disappointment.

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Two-thirds of a great movie

Following exiled Spaniard Tyrone Power's adventures with Cortez and the Conquistadores in the New World after a jealous rival reports his family to the Inquisition and tortures his young sister to death, Captain From Castile is one of those deceptively lavish swashbucklers that promise more than it ever delivers. Despite a 141-minute running time, a huge budget, a good cast, great locations and one of the greatest scores ever written for any movie, it still feels like it's only just getting started when it suddenly ends - which it is, since the spectacular last half of Samuel Shellabarger's doorstop novel never made the screenplay, let alone the cameras. Yet even without that knowledge, the final sequence feels more like a rousing sequence to lead into an intermission and leave the audience hungry for more rather than a satisfying grand finale in itself. After such a buildup, ending the story before Cortez gets to meet Moctezuma, let alone steals and destroys his kingdom, is a terrible anticlimax, especially since the novel goes on to paint his battles in particularly vivid strokes. It's as if William Wyler decided to end Ben-Hur with his hero thinking it might be an idea to challenge his mortal enemy to a chariot race some day or ending a film about the Titanic long before the iceberg is even sighted.

Rather than sensitivity for the Aztec culture he destroyed, the reason seems to be more dictated more by finances than conscience: having spent a reputed $4.8m on a difficult Mexican shoot in many of the then still fairly inaccessible locations Cortez marched through, spending another $4m wasn't an attractive prospect, especially since both the censors and the Catholic Legion of Decency had made clear they found huge sections of the book unacceptable, necessitating heavy rewrites before it could go into production. As it was, the film failed to recoup its cost, though a more satisfying ending might have improved matters a bit.

Yet as much as the film disappoints on a first viewing, a second time around it's easier to see its strengths and enjoy it as a lavishly produced period melodrama. True, it misses the irony of the hero's road from vengeance to spiritual redemption being found on a purely mercenary quest for riches, but Cesar Romero's Cortez is never presented as anything other than a jovial pirate, pure and simple: the more the Aztecs try to bribe him to go home, the more he gleefully realizes they have to steal if he carries on. The Technicolor photography is certainly handsome and the location work pays off (even providing a real volcanic eruption in the background of the final scene to match one that happened during Cortez' march) even if most of the movie is just a long walk through Mexico with more intrigue than action. Best of all is Alfred Newman's incredible score and its rousing Conquest theme, truly music to conquer the world to that's so stirring that you'll want to give up the day job and conquer a third world country and enslave its population yourself.

The Region 1 NTSC disc has a glorious color transfer with a good selection of extras - audio commentary, featurette on Tyrone Power's Leading Ladies, stills and advertising gallery, original theatrical trailer and an isolated score track for Alfred Newman's superb score.

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Old fun classic

If you like old classics you will like this movie. It is not historically accurate, but hey.... it is a movie! My sons liked it (and they are from a generation that thinks that there could not be anything good without computer generated gimmicks)!

Fox honcho Darryl F. Zanuck pulled out all the stops for this expensive 1947 film, which welcomed Tyrone Power back to the world of costume adventures after his World War II service. Power plays Pedro de Vargas, victim of the Spanish Inquisition, who flees to the New World under the flag of the Cortez expedition. This kind of story would have been made in the studio before the war, but the postwar craze for location shooting gives the movie a real visual sweep (it also ballooned the budget to a reported $4.6 million, a huge tab for the era). The Mexican locations are excellent throughout, with the real coup in final section, shot under the shadow (sometimes literally) of an actual erupting volcano--a marvelous real-life effect that director Henry King uses as often as possible.

King worked often with Power, and their shared foursquare approach makes the film satisfying, if rarely exhilarating. The moral complexities of a foreign invasion are dealt with only obliquely, and mostly in Vargas's conversations with an Indian native (nice small role for future Tonto, Jay Silverheels). Romance comes from a Spanish peasant girl who tags along for the journey; she's played, in her film debut, by Jean Peters, who would eventually marry Howard Hughes. Peters had won a beauty contest and a trip to Hollywood, and promptly landed the lead in Captain from Castile; in some shots she's an absolute knockout, in others a plain-faced girl out of her depth. Filling in the story are John Sutton's ice-cold villain, Lee J. Cobb's lusty treasure-seeker, and Cesar Romero's bearded, grandiose Cortez (one of the juiciest roles in Romero's long career). Tyrone Power had completed two offbeat projects at Fox after returning from WWII, The Razor's Edge and Nightmare Alley, so strapping on the doublet and hose was a way of paying back Zanuck. It worked--the movie was a hit--even if Power sometimes chafed at the doublet. --Robert Horton

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