Glen Gould at his best | Partitas 4 5 & 6 - 70th Anniversary Edition

Classic...but uneven. Perhaps 4.5 stars. | Partitas 4 5 & 6 - 70th Anniversary Edition | Glenn Gould, Bach

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	• Partitas 4 5 & 6 - 70th Anniversary Edition Glenn Gould, Bach Sony, 2002 average customer review:based on 5 reviews view larger image
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highly recommended

Shallow and mechanical

Well, where do I start?

First thing I noticed about some of these recordings is a few arrangements sound a bit shallow and thin. Upon reading the liner notes, my observations were confirmed when I read that Glenn modifies his piano to play more responsively. He does this by "fixing the action - so that it is a shallower and more responsive action than the standard".

For the faster ones, this lends itself in some cases, and in others, you would expect more feeling in the music. "Partita IV - Gigue" is one of my favorite Bach arrangements...but it sounds almost like a completely different song to me when Gould plays it....so fast and mechanical, void of human emotion or feeling. I was a little let down by that aspect. Respectively though, he does play them flawlessly...and amazingly fast!

Something else that I've noticed, is that in many, if not all, of the recordings, you can hear someone humming along with the music. Sometimes it's faint, sometimes it's obvious. I don't know if it's Glenn, or a conductor, or the producer, or what...but it can be distracting. But ala 1950's recording I suppose.

Regarding the recording, most songs have a nice stereo spread...but some are monophonic, so when listening in headphones, you notice the inconsistency.

Sorry if I'm offending any Gould fans out there, but this review would have been helpful for me, if such a review existed and I do hope this review will be helpful to someone out there looking for recordings of their favorite Partitas.

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Glen Gould at his best

A compelling, even thrilling, performance. Satisfying in technical execution and sound engineering.Worthy of listening to over and over again.

Classic...but uneven. Perhaps 4.5 stars.

I've cherished Glenn Gould's Bach Partitas since I first found it from my father's old LP collection many years ago. I've listened to it ridiculosly many times in all formats--cassettes, CDs, and MP3s. (I now always carry it in my iPhone.) Gould's fiendishly exuberant playing is of course classic. He is most successful in Partitas 1 and 4. But his overall playing is uneven, and the recording sound itself is uneven, too. His Sinfonia in Partia 2 is ugly. His Praeambulum in Partita 5 is too fast; Toccata in Partita 6 is too slow and ponderous. For modern interpretations of Bach Partitas on piano, those by Craig Sheppard and Sharon Mann are good. (Sharon Mann's playing sounds somehwat Gouldish, even though she was once a student of Rosalyn Tureck.) For partial Partitas, Arrau(1,2,3,5), Argerich(2), Tomsic(1) are very good. For a slow interpretation, there always is Tureck (Philips and VAI).

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ABSOLUTELY BREATHTAKING!!

The apogee of this recording is the toccata in e--the first movement of the e minor Partita, S. 830.

This is one of the first recordings GG made for Columbia--immediately after the Goldberg Variations in 1955, and made the same year.

Bach's "toccatas" contained three to five episodes generally following this formula: i) the toccata, proper; ii) an adagio or arietta section; iii) a fugue.

Bach's toccata in e consists of i) toccata, introduction; ii) fugue/aria; iii) toccata, conclusion.

GG was an odd bird: at heart, an ardent Romanticist; on the surface, a sleek Modernist. He does something remarkable with this piece: he infuses an ardently subjective Romanticism with an hard-edged Modernism, turning this antiquated Baroque piece inside out: he makes the upward rushing thrust of the toccata into a pain-filled cry, and the fugue into a studied glacier. With his uncanny timing, GG stretches the piece out to nearly 10 mins: the ending, when the aria theme returns to conjoin the toccata recapitulation--with Gould's exquisite timing and incredible manual dexterity--is absolutely breathtaking. This is incredible art.

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glenn gould at the pinnacle

The most extraordinary Bach interpreter ever, not equalled until Russian pianist Ekaterina Derzhavina. Worth ten times the price.

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